Category: Album reviews

  • New Album: Kula Shaker – Wormslayer

    I went to see Oasis at the old Wembley stadium in July 2000. I was fifteen-years-old and my old pal Graham and I would often spend weekends seeking out obscure bootleg interview discs, posters and elusive singles across South Essex. Remember, those were the days when you couldn’t just pull up ‘Round Are Way’ (sidenote:…

  • New Album: Peter Cat – Starchamber

    I’ve been tinkering away on this blog for a few years now, and I can’t think of another artist I’ve discovered through it that makes me drop whatever I’m doing and flounder around in search of some headphones the moment I see there’s something new. It was the case earlier this year when Glasgow’s finest,…

  • Alfie Firmin – Alfie Firmin

    In the old days – well, in that golden time before AI came along and ruined everything – there was this mad thing whereby someone would slowly build up a set of skills and hone them over a period of time, usually a number of years. Then, at some point, all of the mistakes and…

  • Samantha Whates & MG Boulter – Flower Days

    Coming in at just over twenty-two minutes, Flower Days packs a surprising amount into its eight tracks. As with their previous EPs – 2014’s The Boatswain’s Manual and 2020’s How to Read – there’s a distinct theme to the set, and an organic feel completely in keeping with it. Naturally, anyone familiar with either artist’s…

  • The Crayon Set – Downer Disco

    It is a fact to say that most people haven’t heard of Dublin’s The Crayon Set. It’s also a fact to say that it’s a real shame, as they’re the kind of band that specialise in smart, hook-laden, melancholic pop reminiscent of the likes of Belle and Sebastian, Camera Obscura, and the Cardigans. Basically they’re…

  • Album review: MG Boulter – Clifftown

    I’m sure I’ve said it before on this blog; words to the effect of great art being able to conjure up a tangible atmosphere and a distinct sense of time and place. Often it is, as Thomas Merton put it, something that “enables us to find ourselves and lose ourselves at the same time”. Living…

  • Album review: Maeve Aickin – Waiting Rooms

    Maeve Aickin is quite a talent. It’s incredibly clichéd to mention age like it’s a barometer of anything other than how many days somebody has been on the planet, but I’m going to do it anyway. At seventeen, the Minneapolis-based songwriter’s debut album Waiting Rooms is as astonishing a piece of work as I’ve heard…

  • Album review: Peter Cat – The Saccharine Underground

    I’ve tried to start this piece several times. A stupid amount in fact. At some point I was labouring over an incredibly pretentious opening that talked about “the annals of pop history” and went on to talk about the long list of oddballs, outsiders, and eccentrics that Peter Cat absolutely belongs to, but each time…

  • Album review: Matti Jasu – Up and Running

    Matti Jasu is a Finnish songwriter and musician, formerly part of a group named Goodnight Monsters, but now on his fourth solo album –  the playful, colourful, imaginative, and extremely melodic Up and Running. Hopping between the genres of pop, psychedelia, rock, electronic and country to name a few, Up and Running is a collection…

  • Album review: Merry Christmas – The Night The Night Fell

    Merry Christmas describe themselves as a “ten-legged festive wonder tank from Tokyo, Japan”. Initially a three-piece of Ben George, Matthew John Thoren, and Joe-Joe Moran-Douglas – brought together through a mutual appreciation of Neutral Milk Hotel – the (excellently named) band, also consisting of Yuki Nishimura, and Yurie “Barihi” Yamaguchi, are quite an unusual proposition…

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